Neil Condron

Such an inspiring place and Neil is a wonderful mentor with a great sense of fun and brilliantly creative.

Following a 35 year in the graphic design industry Neil decided to follow ‘his dream’ and pursue his love of painting in 2008. Neil considers himself a ‘mature’ student of ”Galleries, Google, YouTube and anywhere else I can study how other artists do it – graduating anytime soon is unlikely!”.

Neil’s evocative painting ‘upon small shoulders‘ was bought by singer/songwriter Sinéad O’Connor and used as the image for her current album ‘How about I be me and you be you’. He enjoys painting in oils and pastels and digging his hands in clay. His forté is portraiture.

Neil is the founder/director of the Schoolhouse for Art.

www.condron.ie

I did the pastel workshop with Neil recently and had a really enjoyable day. We learned a lot in a very relaxed way, it was a lovely atmosphere and I would highly recommend it – a de-stress day and I will definitely be back!
— Caroline Flood
What a great day … Neil had a lovely way of teaching and I thoroughly enjoyed the experience. great setting…therapy for the soul! so much so I have just booked another workshop
— Margaret Joyce

Paul Flynn

I did stage 1 sculpture with Paul and it was brilliant. Nervous and tense to start but after the first week relaxed and sculpted my first head. Now doing stage 2, with a live model, and thoroughly enjoying it. Jen is a great model and the other ‘sculptors’ are fun to work alongside. Paul is a great teacher, very, very patient, always a smile on his face and makes a lovely cuppa !!!
— Eve Lynch
tutors_paul1.jpg

Born in Ireland. Paul has studied imagery in detail on a professional level for many years. He started in 1982 as a lithographer working for John Hinde, learning how to etch plates and following it on to the final print. His skill in the area of print was well recognised and he gained invaluable knowledge of the chemistry and mechanics of printing.

His fascination with sculpture started when he needed a three-dimensional model of Samuel Beckett to create new paintings so that he could light his subject from different angles. He went on to study Sculpture under Niamh Harding Miller and in the Irish Academy of figurative art under Dony MacManus. Paul also teaches Sculpture in Scoil Mhuire Clane and at www.sculpt4all.com

His work forms part of collections in Europe, America, China and Australia.

www.paul-flynn.com

Sinéad Lawless

 Sinéad Lawless

Sinéad Lawless

Sinead graduated from Dun Laoghaire Institute of Art, Design & Technology in 2000 with a diploma in Animation. She subsequently went on to work for Brown Bag Films & contributed to the creation of their Academy Award® Nominated Short ‘Give up yer aul Sins’.
After 14 years of working in the design industry, Sinéad left to pursue her love of drawing and painting.

Sinead loves to teach beginners or those returning to art after a long absence. It is her passion to help people to find their voice and their strengths, and build confidence. Sinead is multi-disciplined and this gives her the flexibility to work with different styles.

See more of Sinead's work on her website www.sineadlawless.com

Sinead also teaches Illustration & Animation for Young Artists with her brother Dave Lawless (doodlesoup.ie)

Alongside art, Sinead is an amateur musician and plays with the Dublin Ukulele Collective, who recently rocked it out at Electric Picnic 2016.


Painting the Nation 2016

In October 2016, Sinead was crowned the winner of RTE's 'Painting the Nation', and her work now becomes part of the State Collection to hang in Dublin Castle. Click here to read more about the show.

Winning ‘Painting the Nation’ and having my work become part of the national collection, to hang in Dublin Castle, is such a huge honour and truly a dream come true. I am absolutely thrilled and at the same time humbled by the whole experience. I’m now determined to work harder than ever.
— Sinead Lawless
Sinead emerged victorious after the Painting the Nation judges Una Sealy and Gabhann Dunne were impressed by the atmosphere captured in her piece. “This was a difficult decision,” said Una Sealy, “but we felt Sinead’s piece captured something of the atmosphere of the Shannon, a misty peacefulness”. Gabhann Dunne added: “It was very close but Sinead’s landscape just had something more of the lake and its surroundings, giving her the edge”.
— https://www.rte.ie/culture/2016/1101/828415-painting-the-nation-finale-recap/

The winning painting

Evening Echo - 26/10/2016