FINISH YOUR PAINTINGS WITH IMPACT | JOHN DINAN

Day & Time: Thursdays, 10 am - 1 pm
Format:
In-studio
Location:
Enniskerry
Skill Level:
Beginner & Intermediate

Please see detailed class information below

If this course is fully booked or not currently scheduled, go ahead add your name to the waiting list HERE

Payment plans available contact us directly

aBOUT THE WORKSHOP

“The Finishing Stage of a painting, in my opinion, is a lengthy, distinct and critical part of achieving a quality end result. This workshop will explore all the different aspects and techniques required, as well as sharing my unique Finishing Checklist which I apply to my own paintings”

A very popular workshop, where you will bring 4 or 5 of your own unfinished paintings and John will share how he would Finish them – and then YOU will practice all his tips and techniques to give them a whole new level of Pzazz! 

Issues covered include – overall composition, tonal design, colour harmony, placing focal points, creating maximum interest, the importance, type and placement of edges, creating movement around your painting, the various ‘opposites’ that transform a painting, and how to create harmony and unity in your finished work.

This workshop is most suitable for painters with some experience, although all levels will find it accessible. Student paintings in any media are welcome, but demonstrations will be in oils or acrylics.

A very comprehensive 3 days with lots of insights and tips to bring your paintings to a great finish! You'll leave with better pictures.

  • Description text goes here
  • Description text goes here
  • Lynn suggests the following oil colours, but don't worry if you don't have them all:

    • Blue - ultramarine (cerulean if you would like)

    • two reds - cadmium red/bright red, and alizarin crimson

    • two yellows - lemon yellow and cadmium yellow medium

    • two earth colours - yellow ochre (or raw sienna), and burnt umber

    • Veridian green

    • Titanium White

      You will also need

    • something to paint on like primed MDF board or canvas.

    • A variety of brushes

    • A sketchbook or drawing paper and a 5B pencil

    • Other items to include palette, thinner (odour free), kitchen roll, liquid containers

      Lynn can provide photos to work from, but please also use any suitable photo you have at home that inspires you and you would like to use to create your final painting.

Whatever it is, the way you tell your story online can make all the difference.
— Quote Source
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SCULPTING THE PORTRAIT | ALAN CLARKE

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HOW COLOUR WORKS | JOHN DINAN