
WATERCOLOUR PORTRAITURE | ÁINE DIVINE
WATERCOLOUR PORTRAITURE
Course Summary
In this online course, artist Áine Divine guides students through the process of painting an expressive watercolour portrait from a live model. She introduces an approachable method using wide, flat brushes that make it easy to create bold, fluid strokes and capture the essence of a subject. Students will learn how to mix a beautiful range of skin, shadow, and hair tones from a simple palette of colours.
A key focus of the course is building confidence; Áine demonstrates helpful techniques for lifting paint to correct and adjust the painting, showing that mistakes are simply part of the process. Áine creates a supportive environment that emphasises the joy of painting, teaches students how to relax, find a steady rhythm, and trust their observational skills.
This course is designed for anyone looking to explore portraiture in a loose and free way, providing both the technical skills and the encouragement needed to create a portrait that feels alive.
Course Preview
Course FAQ
-
A Unique Brush Technique: How to use wide, flat brushes to create bold, expressive strokes and capture the essence of a subject.
Simple Colour Mixing: How to mix a range of skin tones, shadows, and hair colours from a limited and manageable palette.
Correcting with Confidence: Techniques for lifting wet and dry paint to correct mistakes, reclaim highlights, and adjust your painting.
The Artist's Mindset: How to relax, observe your subject, and develop a confident rhythm between looking and painting.
Portrait Fundamentals: An approach to understanding the planes of the face and placing features to achieve a likeness.
-
Paper & Palette
Watercolour Paper: Áine specifically recommends Bockingford paper because it allows for easy lifting and correction of paint.
Watercolour Palette: A palette with large wells, specifically one that can accommodate a 2-inch brush for easy paint lifting and mixing.
Test Paper: A separate piece of paper (same type as the main sheet) for testing colour consistency and behaviour on a vertical surface.
Brushes
Primary Brushes (Rosemary & Co. Series S 222 - "Áine Divine Set"):
2-inch flat brush
1.5-inch flat brush
1-inch flat brush
Lifting/Craft Brushes (Royal & Langnickel):
Springy, cheaper craft brushes (1-inch and 3/4-inch are mentioned) used for lifting out colour and correcting edges.
Small Detail Brush:
A quarter-inch brush for fine details like the iris and eyelashes.
Paints (Artist's Watercolour Tubes)
Áine uses a limited palette, mixing colours to create a wide range of skin tones, hair colours, and shadows.
Van Dyke Brown
Ultramarine Blue
Burnt Sienna
Cadmium Red
Sap Green
Alizarin Crimson
Viridian Green
Cerulean Blue
Cadmium Orange
Lemon Yellow
Water & Miscellaneous
Water Container: For rinsing brushes.
Kitchen Paper / Paper Towels: Essential for leaching water out of brushes, testing colour, and lifting wet paint.
-
Suitable for all levels - good understanding of the basic use of watercolour would be an advantage.
-
The course is composed of two videos, a combined total of 65 mins. Enjoy the benefit of being able to watch and follow along at your leisure for the duration of your access.
-
WATERCOLOUR PORTRAITURE
-
Part 1: Watercolour Portraiture
This introductory session teaches a bold approach to watercolour portraiture using wide, flat brushes. Áine covers essential materials, strategic colour mixing for skin and hair, and confident application techniques. The lesson emphasises a supportive mindset, how to correct by lifting paint, and capturing the subject's essence through expressive, fluid strokes.
-
Part 2: Watercolour Portraiture
This final session focuses on refining the portrait. Áine defines the eyes with shadow mixes, adjusts facial structure, and integrates the body with expressive strokes. She demonstrates detailed eye work and final adjustments, embracing a "less is more" philosophy to preserve the painting's energetic and spontaneous spirit.
-