FULL COLOUR COSTUMED PORTRAITURE IN OIL | REBECCA TAIT

Due to demand another week has been added
Dates:
Mon 13th - Fri 17th July 2026
Dates: Mon 20th - Fri 24th July 2026
Times: 10am-4.30pm
Location: Enniskerry
Skill Level: Some portraiture experience

Please see detailed workshop information below

If this course is fully booked or not currently scheduled, go ahead add your name to the waiting list HERE

Payment plans are available contact us directly

aBOUT THE WORKSHOP

This exciting workshop will focus on the steps needed to create a portrait with accuracy and luminous colour. Highly detailed instruction on structural anatomy, the value of light and shadow as well as a unique approach to truly seeing colour will build the students confidence in all phases of portraiture.

During this dynamic 5 day workshop with Rebecca Tait, students can expect a deep, enjoyable dive into all aspects of full colour portraiture.
 
Day 1: Head, neck and shoulder anatomy will be discussed and taught in an entertaining, digestible way that enhances retention of the information. This will be followed by bold studies of colourfully wrapped skulls focusing on better understanding of how to turn colour on a structure.

Day 2: Work with the live costumed-model begins starting with how to produce an accurate grisaille.
Additionally, there will be fascinating colour theory discussions and painting demos.

Day 3: Basic colour study is started, seeing big colour, value, temperature and shapes first. The benefit of stepping back and adjusting initial decisions will be explained. Canvas will be fully covered in well thought out colour choices and accurate anatomy.

Day 4: Students will be heading from macro towards micro seeing. Sophisticated colour mixing will be explained.

Day 5: Fine details of anatomy are checked . All aspects of value, temperature, colour, chroma, placement, shape and edges are all put through final adjustments. Final critique and individual suggestions for advancement are suggested. 

The art of the signature and how to support loose canvas 

Every portrait that is painted with feeling is a portrait of the artist, not of the sitter.
— Oscar Wilde, The Picture of Dorian Gray
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STAGES OF A PORTRAIT | REBECCA TAIT

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SEASCAPES WITH PALETTE KNIFE | BRENDA MALLEY