SKETCHBOOK TO FINISHED PAINTING| ELAINE HALL

Dates: Sat 16th & Sun 17th May 2026
Times: 10am - 4pm
Location: Enniskerry
Skill Level: all levels welcome

Please see detailed workshop information below

If this course is fully booked or not currently scheduled, go ahead add your name to the waiting list HERE

Payment plans available contact us directly

aBOUT THE WORKSHOP

This two-day workshop guides participants through the complete creative process, from the very first sketch to a finished painting. Step-by-step, students will learn how to generate and develop their own artistic ideas through sketchbook exploration, reference gathering, and compositional planning.

Working from observation, photographs, or imagination, participants will discover how to identify strong visual references and translate them into effective sketches and design studies. Through demonstrations and guided practice, the course explores colour theory, mixing techniques, tonal balance, and material use.

Students are encouraged to experiment, make creative decisions, and develop a personal approach to image-making. By the end of the workshop, each participant will have produced a completed painting alongside a sketchbook filled with developmental studies, a record of their creative journey and a valuable reference for future work.

  • What You’ll Learn

    • How to use a sketchbook as a visual diary and planning tool

    • Ways to identify and select suitable reference materials

    • How to create strong compositions and tonal studies

    • Techniques for colour mixing, palette selection, and tonal harmony

    • How to develop a painting from initial sketches to a finished artwork

    • Strategies for refining compositions and knowing when a piece is complete

    • How to build confidence and a personal voice through experimentation

    • A4 or larger sketchbook

    • Glue stick

    • Reference materials (photos, sketches, or printed images)

    • Paints of choice (e.g. acrylics, oils, or gouache)

    • Drawing materials (pencils, charcoal, pens, etc.)

    • Surface for finished painting (canvas, board, or mixed media paper)

    • Brushes and palette

Every portrait that is painted with feeling is a portrait of the artist, not of the sitter.
— Oscar Wilde, The Picture of Dorian Gray

MEET THE ARTIST

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ABSTRACTING THE LANDSCAPE | ELAINE HALL